Power Supply have come together to bring us an inspired record for grim times. The Naarm/Melbourne group features Leon Stackpole (The Sailors), Richard Stanley (Drug Sweat), Per Bystrom (Voice Imitator) and Mikey Young (The Green Child). In the Time of the Sabre-toothed Tiger packs a one two punch with its bright melodies and first-class songwriting. An invigorated, yet chilled and charming style of garage rock, that will have you smiling; the sincere and entertaining lyrics a highlight.
Gimmie are excited to premiere first single ‘Infinity’! We chat with vocalist-guitarist Leon about the track and forthcoming album, out October 22, a co-release between Anti Fade and Goner Records.
We’ve been listening to the new Power Supply album In the Time of the Sabre-toothed Tiger on high rotation all week. It’s such an incredible record. It has a really bright feel to it and it’s made us really happy. In grim times, like the world has been experiencing of late, it’s nice to have something like your record to lift the mood.
LEON STACKPOLE: That’s really nice to hear. It makes me feel happy too.
When I recently spoke to Billy from Anti Fade Records (who is putting the record out) he told me that you’re one of the funniest guys he knows. How important is humour in your life?
LS: It’s through everything really for me. I really like music that has a sense of humour. I also like music that is serious too, but I think that some of my favourite stuff has that extra little bit, that humour, in it. I gravitate towards those sorts of things.
One of the things that I really love about Power Supply is your lyrics. There is a comedy in there, but then there is also introspection and a lot of thought behind it.
LS: I think you could say that… [pauses]. Sorry, I’m just walking past my wife in the garden.
LS: There is humour. The lyrics that are on there are probably no particular theme, yeah?
I feel like it’s a real collection of thoughts, from everywhere, just from living life.
LS: Yeah, there is. I made up all of the album pretty much. Probably the ones that get on there are the ones that are the least ridiculous [laughs]. Some of the songs I’d take to rehearsal to play to the guys and they’d just go, “Oh my god, what is that?” [laughs]. They may consider it to play live once in a while, but other than that they just go, “All right, it’s a bit too absurd.”
[Laughter]. I understand that when you got back into the shed to write the record that “jams became songs, jokes became lyrics”; what is one of your favourite jokes that became a lyric?
LS: I think the ‘Time of the Sabre-toothed Tiger’ one makes me laugh. It comes from the concept of when people talk about anthropology and evolution, these sorts of concepts, and how all of our behaviours go back to early humans, back in the time of the sabre-toothed tiger. When my wife and I are talking about things, we’d be like, ‘what would they have done back in the time of the sabre-toothed tiger?’ That crept into the lyrics to the point where I suppose you hop into a time machine and go find out. To me, that’s funny! I don’t know if it is to anyone else though [laughs].
[Laughter] It is. I totally get that. There are a lot of moments lyric-wise on the record that had me smiling in amusement and laughing.
LS: I think ‘Infinity’ is funny as well. That song is completely absurd. I haven’t actually talked about these songs to anyone, you’re the first person I’ve spoken to. It’s funny you’re asking me these questions because I was just out in the bush taking the child for a ride, feeding the guinea pigs and things, it was getting closer to the time for us to chat and I thought, aww sheezus those songs, I have to talk about those songs! [laughs]. I called up Per and said, Per, what do you think are the themes of the songs on this album? He said, “It’s kind of like all these songs that you made up before lockdown that kind of predicted lockdown. Fuck, we’re soothsayers or something like that!” [laughs]. I don’t know if I honestly believe that, but it’s interesting to hear his perspective on it.
I love how the opening lyrics for ‘Infinity’ literally say that Mikey sent you an MP3 and the title was ‘Infinity’.
LS: [Laughs] That’s exactly how it happened.
Did you ask Mikey about why he called it ‘Infinity’?
LS: I never did ask him about it. My son became a but obsessed by that song. With the last verse about lying on your deathbed, he’s like, “What’s a deathbed, dad?”
Wow. That’s a big question.
LS: [Laughs] Yeah. Then he became obsessed with the concept of infinity as well. I pinched all of his little phrases that he says for the other song… what’s it called?
‘Infinity and 90′?
LS: Yeah. ‘Infinity and 90’.
I was going to ask you if there is a connection between the songs ‘Infinity’ and ‘Infinity and 90’?
LS: Yeah, there’s a connection… I’ve never really thought of this before. So, since hearing ‘Infinity’, my son was obsessed with the concept and we were driving along in the car and he’s like, “Daddy, I think I know the biggest number ever! Infinity and 90!” [laughs]. I wrote it down and when it came time to write the song, I thought they made good lyrics, so I threw Archie’s lyrics on there.
That was one of the songs that had me amused by the lyrics. I also love the line: Does the mountains make the mist or does the mist make the mountains?
LS: I love that one too. We were driving to Melbourne passed Mount Macedon, it was covered in cloud. My son was contemplating that and said that, that’s how that lyric came.
The next line too, about there being a bee in the car; that was real too?
LS: We were in the car and there was a panic. In absolute terror and fear he’s like, “There’s a bee! There’s a bee in the car!” But actually, it was a piece of dust [laughs]. I don’t know how he confused dust with a bee, by the way.
It’s funny because as a listener who has no idea of the backstory of the song, you could listen to the lyrics and it could sound like an abstract metaphor and you could read really into it like, oh this is such a deep concept! In reality though, it comes from the everyday ordinary life stuff you experience.
LS: Yeah, for sure. I love that.
The way you deliver the vocal for ‘Infinity and 90’ is almost whisper-like; what inspired that?
LS: I’d been listening to a lot of La Düsseldorf that day and somehow or another that voice ended up on that song.
I think the vocal delivery really suits it. I also love how every song on the record sounds different. I don’t want to sound too wanky, but the cohesiveness of the album feels like a journey.
LS: Yeah, yeah. There’s nothing wrong with a good journey here and there.
Are there any lyricists that you really love?
LS: Yeah. It’s funny, this morning the local radio station was asking people about that, to text in and say their favourite lyricists. People were writing in fairly regular things. I thought, what would I do? I’ve been listening to Kate Wolf lately, a lot. I ended up texting in and saying, Kate Wolf. Some of her lyrics, songs like ‘Green Eyes’, I love that song. It’s beautiful, just so perfect and genuine.
When did you first start singing?
LS: I used to sing in bed when I was a kid, until I’d finally fall asleep. I didn’t really sing that much until we started a band with some friends of mine called, The Sailors. It was a good band because we’d all jump in and have a go. With Power Supply, I’m trying to get everyone to do backing vocals. I think Mikey is finally coming around to the concept [laughs]. I like to hear backing vocals, I love them.
Same! I’m a big fan of backing vocals. The band No Doubt have some really cool backing vocals that Gwen Stefani does. They’re actually really interesting and have some cool harmonies.
LS: Yeah, right. I haven’t really listened to their records except for the hits and a bit of her first solo record [Love. Angel. Music. Baby]. I kind of like that record.
That record rules!
LS: I like the big hit off of that one. The one where she’s basically struggling to come up with new songs.
‘What You Waiting For?’?
LS: Yes! That’s a classic that song. I do like that record. When the harmonies are done really well it’s just wonderful.
Totally! Do you ever get self-conscious doing vocals?
LS: Not so much anymore. I remember the first gig that us guys played, I didn’t really have any lyrics [laughs]. I was driving to the gig trying to make them up; that was probably a bit nerve-racking.
How did the gig end up going?
LS: Well, it’s amazing what you can get away with! [laughs]. The gig was fine.
How did a Mark Rodda painting end up becoming the album’s cover?
LS: That was Per’s research. How it went about it, I’m not sure. We did look at a few different things and a few different artists’ styles. Per looked at all that stuff and we discussed a few. In the end he said, “This is the one.” And, we all agreed.
When you look at the album cover, what do you get from it?
LS: I haven’t seen it for a little while, but it makes me feel warm inside.
LS: It probably looks a little desolate. I’m living in Central Victoria right now, so everything is a little like that sort of a landscape, which I feel pretty comfortable with. How about you?
I get more of a lush feeling from it. The tree gives me ancient forest vibes. I think it ties in with Time of the Sabre-toothed Tiger theme too.
LS: I do recall us making that connection. I do guess that’s why Per suggested it.
What’s one of your favourite things about the new album?
LS: I love the sound; I think it sounds amazing. We recorded it at The Tote in the front bar. We did a residency in September two years ago; we played each Sunday afternoon. We left our gear there on the last night and came in on the Monday and recorded it there, cos we were pretty well-practiced. You’ve got the traffic out the front, I thought it was all going to come through the windows, but it’s fairly well insulated and you couldn’t really hear anything else. In fact, the beer fridge was making more noise than anything else and we had to turn the beer fridge off.
What did recording at The Tote add to the songs or experience?
LS: It made it feel more comfortable because we’d just played there. It’s been hard for us to get together to play. I’ve been in Castlemaine, Mikey is down on the Peninsula, the other guys are in Melbourne. We have to make an effort. We played five gigs in a row over five weeks and recorded, we were hoping that we would feel comfortable, relaxed and well-practised. We do have fun together. We recorded in one day. We’ve added some overdubs and things in since; a few years for some overdubs! [laughs].
How does it feel to finally have the album coming out in October?
LS: A relief really. Just last year I was saying, oh, let’s just put this out on Bandcamp and be done with it. It kind of felt like that for me [laughs].
I’m glad you didn’t just release it digitally. It’s such a beautiful album and deserves a physical release. The album is too special for it to only be digital!
LS: It’s been such a long time since we recorded it all.
Have you listened back to it recently?
LS: Nah, but I probably should. We have been talking about playing some gigs, but I don’t think it’s going to happen for a while.
When we jam and it’s Mikey, Richard and Per just playing away, it’s the best thing for me, I just sit back and listen to those guys.
We’re excited to be premiering ‘Infinity’ the first single from the new album!
LS: That’s so great!
There’s a lot of stuff around water and the environment that seeps into the music.
I know that you work in environment protection roles, so obviously you have a passion for doing that.
LS: For sure. It’s probably the sub-theme in the whole sabre-tooth-tiger-thing—environmental change.
I totally got that. It’s interesting how a lot of the world seems so divided right now and people get so hyper-focused on particular things and who is right and wrong, but they also forget that there’s crazy stuff going on with the planet, climate change, depletion of land and resources. If we don’t have a planet then we’re not going to have anything! It’s pretty much the number one base thing we should be concerned about.
LS: Yeah. It’s pretty fundamental [laughs]… that’s just trying to add some humour to it, because it is fundamental.
**Note: This interview is an extract. The entire chat where we talk more about the album, Sun Ra, turning every day occurrences into song, and more, will appear in the October print issue of Gimmie**
Here’s the first sneak peek at ‘Infinity’ from Power Supply’s forthcoming album, In the Time of the Sabre-toothed Tiger: