Smarts’ new album Who Needs Smarts, Anyway? is one Gimmie HQ’s favourite releases of 2020. Frenetic, fun, clever, tight songs to lift your spirits and make you smile as we close out a year that’s been challenging for most of us. Gimmie spoke to bassist (and person behind Anti Fade Records) Billy Gardner.
You were the first official person we spoke to for Gimmie!
BILLY GARDNER: Woah. Really?
Yeah, and at the time you’d just put out your 61st release on Anti-Fade.
BG: I think that was Living Eyes, maybe.
Yeah. And now you’re at release 73 with the new Smarts record, I think!
BG: Yeah, I’m putting at tape out [TB Ridge as the Director – Rock n Roll Heart – next week, that’s 74.
BG: Yeah, getting there.
What kind of stuff have you been listening to lately?
BG: Um, honestly, not heaps of stuff. Like, nothing new, really. I haven’t listened to too much new stuff this year. I’ve been listening to lots of stuff that my Mum played me when I was growing up. Classics like Toots and the Maytals and Ike & Tina Turner and stuff, and at the same time I’ve been going through a bit of a Metallica wave over the last two weeks—that kinda happens every few months.
Rad! So, has Smarts had a chance to practice since the lockdown has ended?
BG: Nah. Not as a full band since maybe like May. So we’re pretty keen. I think we’ll be able to do it in the next fortnight or so. There’s a few new songs that we’ve all sort of like made up in our own time, if you know what I mean, to work with.
Oh, nice. Is there anything in particular you’ve found yourself kind of writing about?
BG: No, I actually haven’t written any lyrics yet. I’ve just been making lots of riffs. I feel like it’s been a really dry year for lyrics. I just have no new inspiration this whole year, you know what I mean?
Do you think everything that’s happened in the world has sort of affected that?
BG: Yeah, well I feel like I usually get heaps of ideas from travelling and doing stuff and just getting out of the house, which I kind of haven’t really done at all this year. It’s been a pretty wild year.
And you keep a lot of memos in your phone for song ideas and that kind of stuff?
BG: Yeah, totally. There’s a lot of like little, loose, 30 second to 60 second riffs in there.
Do you just sing them into your phone or do you just like actually play them?
BG: Ahh, depends. Usually play ‘em, but sometimes sing them; that’s just like maybe if I have a riff in my head and I’m not near a guitar or anything. I feel like they’re usually the better ones, and I have to learn them on guitar later.
I know creative ideas kind of come from everywhere, is there times more often than not that you get them?
BG: Yeah, I feel like it usually goes in waves. And I haven’t really been on a wave like that for the last month, or even two. But maybe like six to eight weeks ago I had a bit of a wave and a whole bunch of things came at once, and I was playing guitar every night. But I’ve been busy with like the label and other stuff lately, so I haven’t been doing as much of that.
You play bass in Smarts, and I know your Dad used to play bass in Bored!, I was wondering if he kind of inspired you to play bass? Because I know you started playing drums, I think?
BG: He definitely inspired me to play music. But the whole bass thing sort of came later. I do get to play his bass. I love playing his bass! It’s an old Fender Precision from the ‘70s, he’s got a Rickenbacker too, which is very special, but I think I prefer the Precision. I don’t know where the bass thing came from, maybe it was just like something different. I feel like with this band a lot of riffs are made on bass and then we’ll bring in the guitar later. Where in other bands I’d make riffs on guitar and bring the bass in later. So it’s kind of just a natural way of doing things a bit differently to what we’re used to. I saw this band called Vodovo in Japan about three years ago and they didn’t have any guitar, they just had two bass players, and that was definitely a big influence on Smarts.
Cool. I heard that when you came back from Japan you had the idea of the band name Smarts, because you were in Japan one of your friends you were with kept saying everything was “smart”.
BG: Yeah, yeah. So Ausmuteants toured Japan in mid-2017, and saw Vodovo for the first time, and was getting a bit restless to do something a bit different, and our friend Shaun was just saying everything was smart, like you’d say something and he’d say, “That’s smart!” It was like his term of the tour, and I kind of thought Smarts was a cool name.
When you started you were just a 2-piece, you and Mitch?
BG: Yeah, I felt like we’ll just start it like that and just make a couple song and then try and flesh it out in to a live sense, and then it grew a lot there once we brought four people into the mix.
And you and Mitch play in Cereal Killer and Living Eyes together as well?
BG: Yeah, and Wet Blankets. I’ve been playing in bands with him for years.
How did you guys meet?
BG: In high school, actually. He’s a year younger than me and I met him on his orientation day and he was about to go in to Year 7 and I was going in to Year 8. We had heaps of mutual friends. We sort of had heard heaps about each other already and both skated and stuff, and we just kind of kicked it off from there.
I figured you guys had known each other for ages, because as far back I could see you had worked together heaps.
BG: Yeah, we had this funny band before Living Eyes called Hideaways when we were 14. Pretty cute.
Did you play drums in that one?
BG: We all switched around. So I played drums on a couple songs, sang a couple songs. I did really play guitar or anything back then.
What did that used to sound like?
BG: Kind of like a way more garage version of Living Eyes. Living Eyes sort of came out of that, as the bass player for Living Eyes was in that band too.
Wow. It’s nice to find out about all the connection and everything.
BG: It was extremely like garage days of like jamming in garage, quite little.
Then with Smarts, you added Jake and Sally and Stella. How do you think, when those guys joined, your sound started to evolve.
BG: Um, yeah, well that’s when it became much more interesting, I think. Especially bringing Sally and Stella into it. Although they were never in the band at the same time. Sally was originally in it, and she had never been in a band before, so that was cool, seeing her get all excited about playing music and stuff, and she brought heaps of cool bits to it like the keyboard line in ‘Smart Phone’ is like huge and that’s her. And then Stella came later, Stella actually came in after we’d recorded the album and played saxophone over the top of everything and really made it shine.
I was going to ask you what you love about having saxophone in the mix.
BG: It’s the best, I love everything about it! I think it’d be cool to work on new stuff with Stella, because we haven’t written songs together yet but we will now.
And with Smarts it’s a real collaborative process?
BG: Yeah, Smarts is so collaborative! Although Jake’s written a couple songs where he’s brought it in pre-written, and we’ll learn them and maybe add a tiny bit or like do a bit twice as long as in his version but not really change it. But all the other songs, me and Mitch’s songs, they’re all just brought to the band and we’ll extend it from there.
With the new album, Who Needs Smarts, Anyway?, four of the tracks were on your first release, Smart World, I wanted to ask what do you like about the re-recorded versions?
BG: Mostly the fact that they feature everyone. Because the first release is just me and Mitch, so like a few people asked us why we did that, and that was just like because this is the full band version, and it’s got sax and keyboard and we’re all on our designated instruments now instead of it just being me and Mitch messing around, so I feel like it’s a whole different thing!
When you recorded, you kind of recorded the bones of it over a weekend and then people came by your place and did overdubs and stuff?
BG: Yeah, we just recorded it real basic. Just me, Mitch and Jake over a day and a half. We got a space in Geelong from like 3pm one day and set up and started recording that night, and then just did a whole day the next day, and then just took it back to Melbourne and over the next couple weekends people took turns at coming over and doing overdubs and really didn’t rush that, we sort of did the overdubs very slowly and it was a lot of fun days. So it was very layered. We kind of double tracked everything on the album except the drums and bass.
What made the days so fun?
BG: Just like hanging out and taking our time with it and having a few beers and stuff. It was always very fun.
And you enjoy recording?
BG: Yeah, we’ll I’m actually doing less of it these days. I used to record way more bands than I do and just felt like it was taking a little bit out of music for me. So I’ve sort of just been doing much less of that and keeping to my own stuff and you know, I’ll still record a few things here and there, but I don’t really wanna do it as a job or anything.
I often find people do get that after a while, like a lot of people I’ve talked to get that feeling.
BG: Yeah, I think I’d rather spend time on my own music a bit more than recording other people’s bands. I like doing it but I don’t wanna do it all the time.
Do you have things outside of music that you like doing?
BG: Yeah, just general stuff like me and Mitch blew up this little blow-up dinghy and took it down the river the other day. That was funny. Nothing out of the ordinary, just hanging out with people, cooking food and stuff like that.
What’s one of your favourite things to cook?
BG: Probably Mexican.
BG: Um, yeah, are both good. I guess they both have their pros and cons. Maybe I’ll say burritos, just because they’re a tiny bit less messy. But when it’s a good night for it, I love a good taco sesh!
I always find though, tacos tend to go soggy quicker.
BG: Are you a hard shell or soft shell taco kind of person?
BG: Yeah, me too.
That’s what a real taco is!
BG: Yeah, I grew up with the hard shell ones, and now I’m all about the soft.
Yeah, totally, I always tend to cut my mouth on the hard shell ones, believe it or not.
BG: Yeah! [laughs] Have you ever put a soft one around a hard one?
I haven’t actually! I’ve heard of this, but never done it.
BG: I’ve heard of it too, it seems insane but it makes sense because then the hard shell doesn’t all break up in your hands.
I wanted to ask you about the cover photo for the album. I noticed there’s lots of references to the songs.
BG: Yes! You did? Well, I’m glad someone noticed that because I wasn’t sure if we really got it, because a few people have asked about things and I felt like I had to explain that but you noticed it, so thank you!
Yeah, totally, like as soon as I saw the obvious thing, which is the Cling Wrap. You just see it and your just like; wait a second, that’s that song! and then it’s kind of like ‘Where’s Wally?’ or something and you’re moving around the picture and you’re like going this is this, and like the globe is ‘Smarts World’..
BG: Yeah, yeah.. Did you spot the Maccas wrapper in the bin?
I did! I had it up on the computer first and I was looking at it, and I was like, “that looks like a MacDonald’s wrapper” but then I couldn’t see if it was or not, so then I had to go get out the 12” LP copy that we’ve got and I’m like trying to look at it.. Because I’m thinking it has to be a MacDonald’s wrapper because of ‘Golden Arches’, but then I know you guys wouldn’t want that overtly out there on it, so it’s more subtle…
BG: Nah, yep, well, thanks for picking up on that! I’m glad you noticed.
What else can you tell me about it?
BG: Well, it’s like a rip off of a Fall record cover. Did you notice that?
BG: It’s not like an album, or one of their covers you’d see quite often, but it’s a 12” single for ‘Couldn’t Get Ahead’. It’s got Mark E. Smith sitting at a desk, and on the desk there’s like a pack of Marquis biscuits and a few references there. But we thought we’d do it with no one at the desk, because it’s like ‘Who Needs Smarts, Anyway?’ and the chair’s kind of looking as if someone’s just got up and walked away from it.
Yeah, totally, and I noticed the PP Rebel sticker.
BG: Yeah, well, that’s my laptop!
We’ve got the sticker. We put it on a magnet. You know how in the mail you get magnets from Real Estate places and local businesses?
BG: Yeah, and plumbers and things..
Yeah, we just got one of them that was the right size and stuck it over one, and it became a PP Rebel magnet for our fridge!
BG: Ahh, that’s genius! I might have to do that. I’ll keep my eyes out for some magnets.
So is there anything else you’re looking forward to doing creatively in the future?
BG: Just making more music really. I kind of haven’t done much of that this year, so I’ve got some catching up to do. Maybe some more artwork stuff, but that’s not really my field, but I wouldn’t mind doing some cut and paste things here and there.
When you’re writing stuff, is it just you start writing stuff and then you decide what band they go to?
BG: Yeah, I ‘spose, yeah, and even sometimes switch it up later, like I might have a song in mind for a certain band, but that band won’t be doing anything for a long time, and I’ll use it for a different band.
Are any of your other bands looking to do anything soon?
BG: Umm, probably more Smarts. We’ve got a few songs on the go, none of them are finished but have like maybe 7 or so half done, like riffs and stuff that we’re gonna start piecing stuff together. I don’t know what else, maybe there’s a couple Living Eyes demos that have been sitting around for a long time, maybe we’ll get there one day and record them.
As far Anti Fade Records goes, we’re not going to see anything til next year now because Smarts was the last release of the year? Oh, and the tape…
BG: Yeah, TB Ridge As The Director, which is Tom Ridgewell’s solo project, that’s coming out on Friday, and then yeah, that’s the end of the year. Will have to start planning 2021!