New Terry track ‘Gronks’

Original photo by Oscar Perry. Handmade collage by B.

One of Gimmie’s favourite bands Terry are releasing a new album Call Me Terry in April, which thematically scrutinies our country’s corrupt, colonial history and shines a spotlight on greed, privilege and entitlement of white, wealthy so-called Australia. We’re excited to be premiering a new single and video for track ‘Gronks’. We caught up with Terry to get a little insight into the song, vid, what they’ve been up to, what they’ve been listening to and what they have in the works with other projects.

What’s life been like lately for everyone in Terry? Congratulations Xanthe and Zephyr on your new little addition to the fam!

TERRY: Thank you! Life has been good lately. Lots of swimming and nappy changing. Amy and Al’s visit when our baby was three weeks old was a highlight of recent months! We cooked, went for a day trip to the upper mountains, and played bananagrams. 

We’re super excited about the new album, Call Me Terry! What’s something that you’d like us to know about it?

T: It was nearly called Terry Gold.

We’re premiering one of our favourite album songs ‘Gronks’; what initially inspired it?

T: ’Gronks’ was written at the start of 2020. Was a bit paranoid about the world flipped upside down and how the powerful would further their own interests (white supremacist, capitalist, patriarchy) and the war machine. “Meet me from the banks you gronks” is spoken from a Robocop-style Twiggy Forrest character sailing up the Parramatta River in another wave of imperialism.

Photo by Oscar Perry.

What do you remember most from making the ‘Gronks’ video?

T: I (Xanthe) made the video just recently late at night after the baby was asleep. It was nice to listen to the song loads of times and play around with images. I wanted to see what I could make using just the text and image of the Redmond Barry statue from our album cover but broadened the scope, after my cousin Solomon sent me some footage of a Terry doll he and my Aunty had made for an upcoming video. And then again after finding loads of footage of Amy, Al, Zeph and I on a ferry that Dan shot on my iPhone in an inspired moment a few years ago. I remember all those things. 

The demos for the album were recorded in 2019; what can you remember from recording them? They were recorded apart, right?

T: We kinda tried to record a whole album before X and Z moved to the blue mountains. But I think we were dreaming, or at least I (Al) was. The songs were undercooked. It was great to record days before they left cos it made us feel we still had something to work on together. 

How did it all feel when you finally got together in 2021 to record the album’s tracks? Did the songs change much from the demo versions?

T: It was great being together to record the songs. I think Terry had been going pretty hard on the creative Bathurst circuit for a few years. We’d write a lot intensively, record then tour. It’s really productive and I think we were stoked about the output. We got to see the world. But you can only do that for so long I think. X and Z moving interstate and the lockdowns forced us to have a breather. Abscess makes the heart grow fonder.

Besides making music what’s something you love to do when you all get together?

T: Eat, prey, laugh.

 Were there any challenges making the album?

T: At first I thought the space apart would be tricky but in the end it gave us time to slow down and consider the compositions/mixes a bit more.

Which is your favourite track from Call Me Terry? What do you love about it?

T: I love ‘Market’ and ‘Golden Head’. Can’t pinpoint what I love about them. Different instrumentation. They feel pretty dynamic. Golden head is such an anthem.

We love the album cover that features song lyrics; how did you come to decide to incorporate them like that? Who took the photos?

T: The artwork was influenced by an old poster that Xan and Zeph saw about the the action to save the demolition of the finger wharf in Woolloomolloo. We all took the photos separately. We drove around the city and found structures that had a relationship to the songs. I think words and actions are pretty important so you might as well put yourself out there.

Where do you find you have your best ideas?

T: In transit. 

We’re always on the lookout for new music; what have you been listening to lately?

T: Mixture of recorded and live:

Vampire from Melbourne have just recorded an album, five years on from their demo. Jacked to hear that. One of the best bands in Melbourne. 

Glass Picture have been playing some new material live. Really excited to hear it when they record.

Eternal Dust new LP on LSD club. Incredible.

Phantasm – a new super group.

Punter – new LP probably out by the time interview is printed.

Reaksi – the 7” on hardcore victim is great but there is a whole set of great punk. 

Maxine Funke live in Melbourne recently was phenomenal. Can’t wait for the new tunes.

The Clash – ‘Long Time Jerk’, great outtake from Combat Rock.

Are there any other projects you’re working on at the moment?

T: There is a Primo album nearly finished. A Truffle Pigs LP is getting close and a Lower Plenty album is ready for a master. Theres an old Russell Street Bombings LP that needs a master. Zeph did some great recordings over the last two years with percussion, harmonium and guitar.

What’s the rest of the year look like for Terry?

T: Nappies, bouncers, swaddles overturn the ruling class.

Call Me Terry is out April 14 via Anti Fade Records (Aus/NZ) and Upset The Rhythm (UK).

Read our previous interview with Terry HERE.

Xanthe & Zephyr of Terry: “Music is good for exercising feelings that are a bit awkward to deal with in other ways”

Original photo: courtesy of Upset The Rhythm Records. Collage by B.

Terry are one of our favourite Melbourne bands. They’re always on high rotation at Gimmie HQ! Being the nerds that we are, we have all their releases. Terry is a 4-piece: Zephyr Pavey (Eastlink, Total Control, Russell St Bombings), Xanthe Waite (Mick Harvey Band, Primo), Amy Hill (Constant Mongrel, School Of Radiant Living) & Al Montfort (UV Race, Dick Diver, Total Control). Jangly guitar, nonchalant male-female vocals, relaxed-sounding rhythm section and playful, intelligent songwriting make Terry a real treat. We interviewed Zephyr and Xanthe!

Why is music important to you?

ZEPHYR: Music is good for exercising feelings that are a bit awkward to deal with in other ways and it is generally a fun way to spend time with other people.

What inspired you to first start playing music?

Z: I can’t remember. My family love it so it’s just been around… just became aware white male privilege probably relevant to how I’ve strolled on up and grabbed the mic without a second thought. My grandma just sang me the school song she wrote for Nabiac Primary School in 1989.

Everyone in Terry plays in other bands; why did you decide to start Terry? I know the seeds of it were sown while on holiday in Mexico.

XANTHE: Yeah, I can’t remember the exact conversation. We were hanging out a lot at the time and we went to Mexico City for a holiday together, that’s where the discussions began, like “wouldn’t it be fun”! I hadn’t played guitar in a band before, Zeph hadn’t played drums so it was definitely conceptual before we actually started jamming. I think we just liked a lot of similar music and wanted to hang out more!

When did you realise you had something special/interesting/cool musically?

Z: Not sure it’s any of those things, don’t really think about it beyond making tunes.

What is the role of humour in Terry’s music?

Z: We aren’t very analytical about ourselves, it’s sort of just our normal way of communicating.

Two couples make up Terry; what’s the best part about creating – making music and playing shows – with your partner?

Z: Romantically speaking it means we avoid separation anxiety, also great logistically because there is no driving around to some other bandmates house after a show and when you share a room and on tour it makes all the bed sharing a bit more comfortable. I guess we have also really honed our communication to the point of blurred identity too which makes all the creative and administrative discussion a bit easier.

All four of you sing; how do you decided who will sings which parts?

X: That’s a fun part of songwriting with Terry. It’s organic how we figure that out. Someone will write a demo but then we play around with who sings what at practice. Often we’ll all be singing to start with but find parts tricky to play and sing at the same time, so some of us drop away… other times it’s more intentional or gendered, depending on what the song is about.

Are your songs solid before you record them or do they change much when you’re recording?

X: Generally we record pretty quickly; in that we won’t have played the song a lot before it’s recorded but the core of the idea will be there. We usually work from demos written individually or in households rather than writing a song from start to finish together. So sometimes recording is a process of figuring out how the song should be structured as a band. And we really get into overdubs, and then have to figure out how to play them live! The core idea is there but the songs do evolve/ change as we record them.

On your LP, I’m Terry, there seems to be a lot of car-related references; where does this come from?

Z: We all got cars at the time and it was awesome. Also probably because suburban Australia is inconsistent public transport wise and very sparse geography wise so the three Australians in the band have grown up around some kind of deep automotive experience. Also scared shitless of cars full of men driving around.

Terry recently released a single “Take The Cellphone/Debt and Deficit Disaster” for Sub Pop Singles Club subscribers; can you please tell us a little about each song?

X: These two songs were in the Terry archive that we loved but hadn’t released.

‘Take the Cellphone’ was written thinking about youth/recklessness/innocence. I’ve recently started studying law and was amazed to learn the age of criminal responsibility is 10 years old in Australia. I guess that song was crudely thinking about how easily kids can fall into trouble with the law and how problematic that is. Raise the age!

‘Debt, Deficit and Disaster’ was a song we wrote initially as part of a soundtrack for a French TV film about a surf gang in Biarritz we were working on. The production company dropped us half way through which was lucky in the end because we repurposed a lot of the songs for our own use.

What is one of the most fun moments Terry has had playing live? What made it so?

X: We’ve had so many fun/ funny moments playing shows with Terry, it’s hard to pick one. A few that come to mind… Our last London show was really fun, we played with the Homosexuals who are one of our fave bands so that was thrilling. Playing in Cuneo, a tiny town in the mountains in Italy in the basement of a guy’s house where the locals all came and seriously made us play every song we have written, I think we played a few songs twice. We were paid in risotto and focaccia for that show, it was a good one. The last show we played was a fun one too, it was at the Thornbury Bowls Club with Ripple Effect Band who were visiting from Maningrida NT. They are so good.

Do you do anything else creative beyond music?

X: I went to art school and still take photos, occasionally I do something with them but mostly just take them. Amy paints, Zeph also takes photos and has been spending quite a lot of time on our balcony fixing up old furniture/making things out of wood. Al made a life size papier mache Terry that we cart along to shows and sometimes paints too. So we are all pretty creative and into making things.

What’s next for Terry?

X: Zeph and I are living in Sydney at the moment and Amy and Al in Melbourne so we are a bit slower than usual because of the geographical distance but we have some songs we’re working on so…more records, and more shows that will probably be cancelled because of Covid-19.

Please check out: Terry’s bandcamp. @talkaboutterry Instagram. Upset The Rhythm Records.