Kosmetika’s Veeka Nazarova: “Every day is a challenge, trying to keep sane and at the same time trying to stay creative”

Original photo: Chelsea King. Handmade collage by B.

There’s a little mystery surrounding Melbourne-based pop band Kosmetika and Gimmie love them so much we wanted to learn more so we interviewed co-founder, Veeka Nazarova.

Veeka, you were born in born in Khabarovsk in south-eastern Russia; what was it like growing up there?

VEEKA NAZAROVA: I love my hometown! It’s was definitely a very interesting and quirky place to grow up in.  No doubt, it shaped me the way I am now and I have no regrets growing up in Khabarovsk! The ‘Far-East’ of Russia has a much tougher climate than the European side of our country and I reckon it definitely makes the Far-Eastern people stronger in some ways. When I was younger and growing up in Khabarovsk, we didn’t have much exposure to the Western world and the internet, so all the kids mainly listened to Russian or Russian-speaking bands/artists, watched Russian speaking TV-shows/films and sort of made up our own little sub-cultures! I mean… we definitely had pop punk and emo at the time [laughs]. It was a little bit of a blend, I suppose, but still predominantly Russian/Post-Soviet culture.  It’s a completely different place right now in terms of the music and arts scene, unfortunately a lot of the ‘new’ generation in Khabarovsk are too absorbed in the social media and don’t want to put much effort into creativity. A lot of cool creatives I knew at the time have left to study in big cities such as Moscow and Saint-Petersburg and now permanently live there, and I think there haven’t been many others who would follow their creative pathways in Khabarovsk. On the other hand, I’m still friends with some musicians and artists who stayed in my hometown, but there is a handful of them and they definitely don’t make living as artists.  I know it sounds grim but unfortunately in Russian culture, most of the time, you have to sacrifice your life to have a family and /or a ‘good job’ so a lot of people have given up their art/music dreams to 100% dedicate themselves to a family life or career. I really hope it can change one day.

When did you first discover music? How did you start playing music yourself?

VN: I first discovered music when I was seven. My parents brought a piano home and it was decided that I’ll be going to a special music school to learn piano, music theory and singing. It is very common in Russia for kids to go to music school, it’s a separate institution where you go after your ‘normal’ school hours. I guess I was always a musical kid singing here and there. My parents had a big music collection on CD and cassettes and that’s how I started getting into heaps of Soviet bands and weirdly enough they also had tapes of artists like Nirvana, Red Hot Chilli Peppers , Blur and Madonna and a lot of 80’s and 90’s disco music, so I was absorbing all these completely different influences [laughs].

How did Kosmetika come into being?

VN: Kosmetika is my first ever band and I always knew I will start or join one [laughs]. One day I decided to post on Facebook asking if anyone in Auckland wanted to start a group, half serious half joking, and suddenly Mikey [Ellis] responded asking me what I wanted to play. We started jamming every week and I got really into it and slowly we formed some solid ideas and Mikey recorded everything properly and mixed it all in his bedroom and vu a la the songs were ready! Then we both moved to Melbourne and asked Jake [Suriano], James [Lynch] and Dom [Moore] to join Kosmetika and have been playing together ever since!

Photo: Chelsea King.

Where did the name Kosmetika come from?

VN: The name ‘Kosmetika’ comes from one my favourite Soviet bands ’The Institution of Kosmetika-Nee Kosmetiki’, I am very inspired by this band. Also Kosmetika sounds like a cool word, sort of a mash up between ‘cosmetics’ and ‘cosmos’ …I don’t know, it is just my interpretation.

I understand your LP Pop Soap is lyrically about/themed on your experience of moving to New Zealand from Russia when you were younger; what was the catalyst for your move? Is there anything you vividly remember about your move?

VN: To be honest, I don’t think Pop Soap is about anything specifically or has a strong concept. It’s a collection of ideas. There is just one song that sort of talks about me moving to NZ but overall it highlights mine and Mikey’s experiences living in NZ and Australia and how we dealt with it. And yeah, back to your question about my moving to NZ. It was pretty hard and I couldn’t relate to a lot of things in their culture to start with, but now finally I consider it my home and miss it a lot, it’s a very precious place to me.

Another theme is of nostalgia and memories; is there anything particular that you get really nostalgic for?

VN: I can’t speak for Mikey, but as many people everywhere in the world, I get nostalgic about being a teenager or young adult and not having a lot of responsibilities. I think it’s the best time for creativity. I also get very nostalgic about 70’s and 80’s pop culture and style, it definitely has a special place in my heart, even though I can’t really explain why [laughs]. I guess it’s my ‘fake’ nostalgia.

Was there a song on Pop Soap that was particularly challenging for you to write?

VN: All the songs on our first album were written by Mikey and I, so whenever i would come up with an idea Mikey helped me to develop it further and vice versa. I guess it’s our process of writing music. I mainly have an initial melody or lyrics and Mikey just turns it into something much more solid and cooler. At the same time, heaps of the songs from Pop Soap were Mikey’s demos from ages ago, so it’s a bit of a mix. I can’t really emphasise any particular song that was hard for me to write because it’s a mutual process. I suppose the hardest part was to mix the songs that were recorded in a bedroom and Mikey did it all of it so, it was definitely hard for him in terms of a production.

I know that you had planned to release an EP of unreleased songs from your current live set; will we see it anytime soon? What inspired this idea?

VN: We have thought about releasing a small EP of the other songs but now we have a lot of ideas enough for another album or two, so we are currently deciding on what we are going to do with it [laughs]. We have recorded a bunch of songs with the band and without so just need to figure out how we would put it together, but something is definitely coming out soon so keep your eyes wide open!

Can you tell us about your favourite Kosmetika show you’ve played?

VN: My favourite Kosmetika show was probably when we played in Rebecca Allan’s kitchen at her house party. It was extremely loud and super hot but, I loved how packed the kitchen was and people going crazy trying to dance [laughs] great party!

How is not being able to play live because of the pandemic affecting both the band and yourself personally?

VN: Pandemic is very strange times for everyone for sure… At first I felt very productive and was coming up with many ideas almost every day and now since it has been dragging for so long, I have been feeling very jaded and quite frankly depressed. Every day is a challenge, trying to keep sane and at the same time trying to stay creative. It is very hard, but a lot of people are going through the same thing, so I know I’m not alone. It has definitely been super difficult to get together with the band. We had a few practices but unfortunately had to stop due to stage 4 restrictions. On the good side, Mikey and I live together and have a little studio set up in our room which is great for recording, so we are currently trying to finish off some ideas while we are in isolation.

Have you been working on anything new? Has anything been inspiring your creativity of late?

VN: As I said previously, we have been writing a lot of new music recently. I think a lot of inspo came from our imaginary worlds that we live in at the moment [laughs]. I personally have been getting inspired by a lot of 80’s Soviet music too. Being away from the Motherland makes me re-discover more things about my culture and turn it into the source for my inspiration I guess. But this is just my inspo things.

What bands/albums/songs have you been listening to lately?

VN: I have been listening to a lot of electronic 80’s music, more weird synth-y stuff [laughs]; a lot of European and Soviet music!

Outside of music what do you do?

VN: Outside of music I love to go for nature hikes, ride my bike around the city, take photos, read some old books and paint.

Please check out KOSMETIKA; on Instagram; on Facebook.

Roolette Records: Love. Music. Friendship. Community.

Handmade collage by B.

Melbourne label Roolette Records put out great music by great bands including Pinch Points, Junior Fiction, Hearts & Rockets, Zig Zag, Kosmetika, Disco Junk, LVIV, Surfbort and more! They’re definitely a label we get behind. We caught up with them recently to find out more about what they do and their passion for music and community.

On the Roolette Records site it reads: Love. Music. Friendship. Community; what is the importance of these things in how you operate?

ROOLETTE RECORDS: Hey! First of all, thank you so much for wanting to interview our label, we appreciate it. We’re super big fans of what GGGZ has been doing so we’re super stoked right now!

LMFC is our little ‘slogan’ thing that came about very organically through conversation with our friends about what makes our community so special. We decided to use it going forwards as it’s a great reminder for us to always stay focused on those positive things but it also serves as a warm, welcoming introduction to our record label.

How did you first discover music?

RR: Growing up my mum Gail (hey mum lol) played music in the house constantly, especially in the morning. She would turn the radio on full blast to try and wake me and my brother up for school, and we got super into music from a young age as a result. She has dope music taste as well so introduced us to her favourite bands growing up like The Clash, Zeppelin, Fleetwood Mac, Carole King, and INXS (strictly their first album only!).

What one record have you listened to more than any other? As a music fan what do you appreciate about it?

RR: Although it’s still fairly new, I think ‘Friendship Music’ by Surfbort is definitely one of my favourite and most listened to albums. What connects with me the most about it is the joyful rage that permeates the entire album. It’s angry, chaotic but also somehow feels like a big warm hug. It’s also a very special album for me because we were fortunate enough to release it in 2018. If you haven’t listened to the entire album, do it!

What was the first concert you went to? What do you remember about it?

RR: I have vague memories of seeing the Wiggles and the Hooly Dooleys when I was really little. But the concert that I remember the most was Nikki Webster at an RSL back in like, 2004 maybe? It wasn’t for her first album unfortunately and it was kinda past her prime but I got a picture with her and she signed my ticket stub. Both of which I have lost now haha but she did play Strawberry Kisses and it went off!

What inspired you to start Roolette?

RR: We started Roolette as a bit of an experiment! Didn’t have a clue what we were doing and just sort of made it up as we went along. Our friend Sarah Cardamone came up with a logo for us and off we went! It all didn’t really start properly until Private Function’s ‘Rock In Roll’ tape. That was when we were like “shit, I guess we should actually do this label thing.”

Are there any labels that you look to as a guide because you like the way they do things? What is it about them?

RR: Burger Records is a huge inspiration for us. Besides being a super fun & great record label, they’re nice people that work extremely hard which is what we aspire to be too! Collaborating with them in 2019 for Pinch Points’ debut album ‘Moving Parts’ was an eye opener and we can’t thank them enough for their support.

More locally, Music In Exile, LISTEN, and Milk! Records are all super inspiring and do such amazing things! Please go and check them all out!

When starting the label is there anything you wished someone would have told you that might have be very valuable to you?

RR: You mean like specific label advice or something? Probably not. It’s one of those classic things like, if you could go back in time and do everything perfectly, would you? Those early days were just so informative, as mentioned we had no idea what we were doing at the start so every little step was a huge learning curve.

Worth noting that we had a lot of friends and family encouraging us which was very valuable.

Is there any commonalities in the artists that you choose for your label?

RR: Style-wise, not particularly. Personally we love a whole range of music so we try not to only release one certain genre. The biggest commonalties the artists have is that they’re all super amazing musicians and genuinely lovely people who have all been really great to work with. 

What do you love most about the cassette and vinyl formats you release music on?

RR: Releasing music on a physical format is one of the best parts about running a label. There is always something so magical about finally getting to hold the finished product in your hands after all the planning and hard work that goes into creating it. We also love helping bands make it a reality. Being musicians ourselves, we totally understand the joy of a physical release and it makes us really happy working with bands to create something new.

Is there a release you’ve put out that has a special significance to you?       

RR: I think it will always be the Surfbort ‘Friendship Music release I mentioned earlier. The whole experience was really magical. We collaborated on that release with Cult Records (founded and run by Julian Casablancas) which was mind blowing and it was also the label’s first time doing vinyl. We were lucky enough that Surfbort were actually coming to town so we were able to have a dope ass launch party at Last Chance Rock and Roll Bar, which was also coincidentally on my birthday. So, yeah, the whole release was super memorable and Dani, Alex, Sean and Dave from Bort as well as the team from Cult and the crew at Last Chance have the biggest spot in our hearts ❤

What releases do you have coming up?

RR: We have a bunch of super amazing things coming up soon that we haven’t totally announced yet. But we have just had Hannah Kate and also the Vovo’s jump on board, so you can keep your eyes peeled for more news on both that bands (and more!) soon.

What’s the last thing you listened to that totally blew you away? Can you do your best to describe it please?

RR: We were listening to this sick band from Germany recently, Lassie. Their second EP ‘Just a Couple of Dudes’ really knocked our socks off. It’s a wild, fun and energetic blast to the face which has been great while in iso haha.

The new Cumgirl8 album has also been amazing to get into. They’re from New York City and the album has this sort of lo-fi 90s vibe that really compliments the vibe of the songs and lyrics. It came out on Muddguts, a really cool label you should check out!

We’re also once again/constantly playing ‘The Smile Sessions’ by The Beach Boys at Roo HQ which always blows us away and inspires us to write really wild music. Do You Like Worms, Wind Chimes… Wow.

What’s something that you see the Australian music industry lagging in? What’s something that could be done better?

RR: Diversity. It’s a never-ending problem in our industry and while our industry, specifically our cities community, has made great strides in that field in comparison to other countries/communities, there is still a very long way to go. It’s something we’re constantly working on and thinking about as should everybody! It doesn’t take much effort to be inclusive, whether you’re a band or label or even a punter. The first step is to just be a bit self-critical and ask questions. There are so many amazing resources online that cover a broad ranges of issues that can be really helpful.

Here are a couple great links to check out:

Listen Listen Listen

Songlines

Attitude Is Everything

How vibrant do you feel the Australian independent music community is right now? What do you see that makes you either optimistic or pessimistic about the near-future?

RR: It’s super vibrant. What makes this community so amazing is the way it is able to navigate and operate under adversity. From the artists we’ve been speaking to, it seems like everyone is still focused on continuing to create and release music in iso which is so amazing. It is just really sad that the backbone of our industry, live music venues, are being super impacted. It is a very tumultuous time for everyone in this community at the moment and the uncertainty of if and when we will be able to return to business as usual is a very sobering reality. But like I mentioned, this community knows how to overcome challenges so I have optimism for the near future.

Check out these Roolette releases:

KOSMETIKA

JUNIOR FICTION

Please check out: ROOLETTE RECORDS. Roolette on bandcamp. Roolette on Facebook. Roolette on Instagram.