Sex Drive’s Shopping Blitz: “Pure, raw energy.”

Original photos by Jhonny Russell. Handmade collage by B.

Yugambeh Country/Gold Coast punks Sex Drive have released one of THE best Australian punk albums of the year, Shopping Blitz. The songs are bursts of intensity filled with anger, empathy, humour and power. In our latest print issue you’ll find an in-depth chat with vocalist Beau Kearsley (get it here), and below we spoke to guitarist Benaiah Fiu about the album.

Sex Drive’s Shopping Blitz album is finally out! It’s been a long time coming; how do you feel now that it’s out in the world?

BENAIAH: It’s surreal actually, because I’d just forgotten about it. We recorded it five years ago. All the hard work was done so long ago. It being out feels so amazing. I was a bit heartbroken when it didn’t come out back then. I guess I could have done something about it, but my head wasn’t in the right place.

When we spoke to Beau, he said that when the initial album release plans fell through he was really depressed too.

B: Yeah, it was a hard time.

What do you remember about Sex Drive’s beginnings?

B: Pure, raw energy. The demo was written without Jake on drums. The structure was all there but not working with our old drummer. I met Jake the first time we all had a jam and that jam we knew straight away, this is the guy. He’s amazing and he’s an amazing human. He was a perfect fit. It felt really exciting. At that point in our lives we had a lot of angst, we were young and it felt so good to let it out through the music.

Have you always lived on the Gold Coast?

B: Yeah, pretty much. Since I was fourteen. I used to live on Fiji’s most remote island – it’s where my dad is from. I lived there for three years. 

What was it like living out there?

B: The first year was a complete culture shock. I was twelve. Some of the guys in my village happened to be amazing musicians and I thought they were the coolest dudes. They taught me to play guitar, and smoke and drink [laughs]. They played reggae and a bit of blues.

Is that the first music that you started to really get into?

B: No. While I was living there it was definitely all reggae for sure. When I was younger I was obsessed with The Offspring as well as System Of A Down and Eminem. My older sister still lived here in Australia and she’d send me CDs while I was there. There wasn’t anything like a local music shop to get anything, it was just all the boys playing guitar.

Photo by Jhonny Russell.

Beau told us that when he first started hanging out with you and heard you playing Slayer songs on the guitar he was like, ‘Whoa! He likes stuff I do. We’re going to get along.’

B: [Laughs]. I got into Slayer as soon as I got back to Australia. My sister had a cool older boyfriend, he got me into bodyboarding and gave me all these VHS tapes. All the music on them were amazing, it was all 90s punk. 

Was Sex Drive your first band?

B: No. I had a band called Jim’s Radio with a couple of friends. We’d jam in one of their bedrooms and there was this 90-year-old neighbour guy called, Jim, that would put his radio up at the window and blast it back at us for revenge [laughs]. We made songs about KFC and stuff. It was a little fun project. I never imagined that I’d end up being in band playing shows at that point early on. 

The drummer for that project got invited to be in a psychedelic rock band and I was like, ‘Damn it! I thought we were going to make it to the top!’ [laughs]. They kicked out their guitarist and asked me to join. I was like, ‘No way! Whoa. These guys are so cool.’ We played some shows around the Goldie. 

You met Beau out in the water? You both bodyboard.

B: Yeah. It was so long ago. He had no idea who I was and I really looked up to him, he was an amazing waterman. I was getting into it a bit late. He was the coolest kid. He came to a party at mine and he was being so drunk and funny. He shaved his head and eyebrows in my backyard [laughs]. We were still in high school. I played him some Doors songs I had been listening to like ‘Five To One’. He loved it. We started talking on MySpace and we organised to go surfing together. It was pure fun. 

Beau said early Sex Drive rehearsals was at Jake’s mum’s place.

B: Yeah, we played songs that would become the Demo. When we played with Jake everything made sense. It was like, YES! We’re on! We had a sense that it might actually turn into something. 

Photo by Jhonny Russell.

Beau also said that a lot of Sex Drive is because of you, that you help him with so much, including how to sing things.

B: I’ll come in with a guitar riff or I’ll have a whole structure for a song or we do it together. It’s cool we’re a collaborative band. Beau’s approach to singing, I love how it works with my guitar playing and Jake’s drumming. 

We jammed heaps in a factory that we lived in. Our friend Floyd would play drums, it was his “house”. Beau and I moved in. 

Beau showed me the Cosmic Psychos documentary and it was incredibly inspiring. It was like, we live in a shed too [laughs]. It was really fun.

The band also used to work together in a fedora factory?

B: Yeah! [laughs]. It was down the road and around the corner from where we lived. We had a real dipshit rock n roll little lifestyle. We were young. 

How old?

B: We’re pretty immature for our ages [laughs]. I was 23 and Beau is a year younger. 

Tell us about recording your Demo.

B: Dangerz, who was the drummer in that first project I was telling you about, ended up studying sound engineering at Byron SAE. He recorded us for his assignment. He’s naturally talented at it all and did a good job.

Next came the self-titled Sex Drive 7”.

B: That was recorded in a blokes house in Ocean Shores, in his home studio. 

What about the new one, your first full-length, Shopping Blitz? Micky Grossman did it?

B: Yeah, he had a cool little set up. 

You recorded a couple of times, right? The first time didn’t work out quite how you wanted so you recorded again.

B: We went down there [Gadigal Country/Sydney] a few times. The first time we had a bunch of people in there watching Beau do his vocal takes and partying—we were kind of ruining it.  I wish I could go back and record again because I was so drunk and anxious at the time of recording. I’ve grown to love the recording now; it always takes me a while to come around.

What were you nervous about?

B: My personal life was spiralling. My idea of my musical trajectory wasn’t going as planned. I felt like I was getting old and that my dreams were slipping through my fingers. 

Has your dream of what you want to do with music changed?

B: Definitely. 

What’s important to you now?

B: It’s just going back to basics and having fun with it and not caring about anything other than trying to write cool songs, not caring about the outcomes. And, playing shows to people that enjoy coming to watch. 

We’re so stoked on the album. It’s a classic Australian punk record. 

B: Awesome! All of the songs for the album and the EP were written around the same time in a storage shed in Burleigh. 

One of our favourite songs on the album is ‘Strange Motel’. Beau said you had a solo project called Strange Motel?

B: I started project Strange Motel before we recorded the album. When we were writing that song, before we started jamming it, Beau would say in the funniest voice, ‘A man walked into a strange motel.’ He’s so funny. That would be the song intro at the time. It didn’t have a name but we decided to call it that for that reason. 

For Strange Motel, I just felt like I had to write more songs. I’d figured out how to use GarageBand and do drums and bass, so I stole the name for the project [laughs]. 

Do you have a favourite song on Shopping Blitz?

B: ‘American Muscle’. I love Beau’s vocals and delivery – in the verse it feels really powerful for me. 

He was telling me what that song about…

B: He hasn’t even told me!

He said it was about when he was in America and he got beat up at a show for dancing. 

B: Shit.

‘Shopping Blitz’ is a funny one. My friend Kale, our first bass player – he was a massive part of the song ‘Hate Home’. I loved playing with him on bass, we’d sit in my bedroom and figure out new riffs for tracks. He really hated ‘Shopping Blitz’ because that riff – I wrote it lifetimes ago in 2013 – we’d always jam it. Jake and Beau would force us to play it and he hated it [laughs]. It’s gone through different phases of how it’s played. It’s amazing that it made it on to the album. It’s my favourite. 

‘Shopping Blitz’ is about shopping centre Pacific Fair?

B: Yeah, I guess. The lines. It can be the lines at the shops or the white lines on the road going by on a road trip. 

‘Military Boy’ was really exciting. I brought in a riff and asked the boys to help craft it into a song and there was so much energy in the room when we first jammed it. It was getting away from the Australian sound (that we love playing). Now we’re trying to blend hardcore and that Aussie pub rock sound.

What hardcore bands do you love?

B: There’s a band called White Pigs, they’re an endless source of inspiration, with their self-titled EP on YouTube. I really love hardcore and metal crossover bands. I feel like a bit of an outsider in the hardcore scene. I admire and respect hardcore, especially guys like Primitive Blast and Nerve Damage. I love going to their shows and standing at the back and watching because I love the music but I don’t know the moves [laughs]. 

Anything else to tell us?

B: We have a bunch of exciting ideas for new songs for Sex Drive. I’m just getting back into things. I lost my license, so it’s just me at home in the garage with my guitar. I’m thankful for the time, I can’t go for a drive somewhere and distract myself. 

It’s so great that you’re sober and have clarity and time to create again. You might come up with things you’ve never even imagined before because you have a clear head. We’re so excited for you.

B: Yeah. Thank you. I thought drinking was enhancing it. Now I can see that it was definitely just numbing me and I was wasting my time. I’m so excited for everything too. Can’t wait to get out there and play shows with my best friends. 

Sex Drive Shopping Blitz is out now get via Scarlet Records or on SD’s bandcamp + via Lulu’s in Naarm and Repressed Records on Gadigal Country. Follow: Sex Drive Facebook and @sexdrive.aus.

Jorge Tichbon of Gold Coast Punk Band Debt Cult: “Skating and music grounds me when I don’t feel great”

Original photo: Jhonny Russell; handmade collage by B.

Debt Cult play high energy punk! Their live sets are always riotous and fun. Guitarist-vocalist Jorge Tichbon visited Gimmie HQ to have a chat about the band, their debut EP dropping this week, as well as his time living in Texas, skateboarding, Aussie larrikinism and art.

You’re originally from the Gold Coast?

JORGE TICHBON: Yeah. I was living on the Gold Coast until I was seventeen.

How did you first discover music? You have an older brother that was into it, right?

JT: Yeah, I have an older brother who was playing guitar when I was growing up. I wanted to do anything that he was into. I started off listening to old metal bands like Slayer and Metallica, thrash metal brought me into punk rock.

Same with me. I had a big brother that I thought was the coolest person ever, who was into music too and he got me into Dead Kennedys, Circle Jerks, Suicidal Tendencies, D.R.I., stuff like that. I wanted to be like my big brother as well. He got me into punk, hip-hop and skateboarding. Other than your brother; who what inspired you to want to make your own music?

JT: It was just lack of interest in learning other people’s songs once I learned to get around a guitar, I lost interest in playing covers. It was easier to write my own music. I’ve been playing since I was thirteen.

I heard that you tried starting a punk band when you were thirteen?

JT: No, not really. My first bands I started playing in, I was eighteen or nineteen, that was in South Texas in McAllen. I left the Gold Coast when I was seventeen to go live with my mum in Texas. I started playing music with people there. I was playing bass in a band and I realised then that I wanted to write my own music and start a punk band.

The Texas bands – Hevy Majic and Wax Pink – that you were in, were psychedelic surf-punk kind of bands?

JT: Hevy Majic was the first band I was in, in South Texas, with Eric Echo. I was hanging around Ramiro Verdooren of The Rotten Mangos, who is one of the most talented people I’ve ever met. We would go up from the South Texas town to Austin Texas, which is the music hub.

Yeah, home of SXSW (South by Southwest) music conference.

JT: Yeah. Those boys showed me around and I ended up staying there for a bit. I started a new band called, Credit Card. Debt Cult is kind of a run off of Credit Card, that style of music. I chose to leave Texas when Corona virus hit.

Ah, so that’s how you ended up back here.

JT: Yeah. South by… was cancelled for the first time in fifteen years. I was like, alright this is getting serious! I have an opportunity to go home. So, I did. I was looking for a reason to move home for a really long time though.

Why is that?

JT: Leaving at seventeen I never really got to grow into an adult in Australian culture. I left at the end of being a teenager. I romanticised larrikinism, being from Queensland; I had this idea of what it was to live in Australia as an adult and wanted to use that in my music, but I couldn’t because I didn’t have a grasp on it, because I was so young. Coming back and doing this band, we have songs about Loganlea and Southport—I wanted it to sound real bogan and straightforward.

What was it like growing up in the America?

JT: I got the culture shock when I came back because I realised how different it was. Growing up over there, I think I was a little bit disappointed that I had to wait another few years to drink at a bar. I spent my eighteenth birthday crying on the floor listening to the Velvet Underground thinking, why am I here? Now that I think about it, it’s a really good way to spend an eighteenth birthday! [laughs].

I remember on my 21st birthday I was in Las Vegas. It was the day before and I went to go to a punk show and I showed the bouncer my ID and he said, “Your birthday isn’t until tomorrow so you’re not 21 yet, I can’t let you in.” and I told him that I was born in Australia and it was my birthday there already so technically I’m already 21! He laughed, told me that was a good one and let me in. You spent a lot of time skateboarding in the US as well?

JT: Yeah. In the little town where my mum was working there was nothing going on, so people got really good at music, art and things like skateboarding. There was a really small skatepark and there was this insane amount of talent with the skaters; there was Majer Crew. They ended up taking me around the country for a couple of years, they were probably the reason I stayed in America. I jumped in the van and they took me up and down both coasts a couple of times, I had a blast with those boys. Unfortunately, that group ended though and I moved to Austin to start doing the music. It was a great time.

Previously, you’ve mentioned that skateboarding pretty much saves your life every day; in what way?

JT: It’s such a release. It’s so tied to music too. I can just chuck my headphones in and not talk to anyone for a couple of hours and get some exercise and get those endorphins going. It’s a creative outlet too, I get to do what I want to do. It’s so interwoven into my personality, who I identify with. Skating and music grounds me when I don’t feel great. I won’t feel good if I haven’t skated for a couple of days. It’s definitely pulled me out of the sludge, which I’m really grateful for.

You started recording yourself while still at school?

JT: When I started recording my own music, was when I first moved to Texas. I would be in my room and I couldn’t really go out anywhere and I was in a new country, I’d be trying to teach myself to record and write songs. Those couple of years there, was when I got a grasp of it. When I was in high school, I wasn’t really recording much, it was more about just learning to hold a guitar.

Who are the songwriters that you enjoy?

JT: A notable one would be Devendra Banhart. I don’t play music like him, but I enjoy listening to his stuff. It’s always been more what my friends were playing in their bands. Right now, I listen to a lot of Gee Tee and Research Reactor Corp. I listen to the local bands that play at Vinnie’s, just my friends’ bands.

Photo: Jhonny Russell.

You started Debt Cult at the end of last year?

JT: Yeah. I met Lindsay who plays bass, I was like, let’s start a band! I met Michelle at the skatepark, she roller skates; I saw her play the piano at Vinnie’s one night, again I was, let’s start a band! It took off from there. Ryan was our first drummer; he grew into an adult and is a bit too busy to be in a band [laughs], he comes and plays tambourine sometimes when he feels like it. Eli is our drummer now, he’s doing all the mixing and recording for us, which is cool cos we can save a bit of money on studio time. We like doing it ourselves so we can make it how we want to make it.

Your bass player Lindsay has to be the happiest bass player I have ever seen in my life, he is all smiles! In fact, your whole band smiles heaps and you look like you’re having the best time while you play and I think that’s infectious. It kinda lights up the whole place.

JT: That’s amazing! I catch Lindsay doing that out of the corner of my eye and I make mistakes because I start laughing. He’s just lovin’ it!

Debt Cult have a 5-song EP coming out. You recorded that at Vinnie’s?

JT: Yeah. I do a lot of closing shifts during the week. When there’s no shows, I have the keys to go in there, we do our practices there sometimes. All the drums are mic’d up already, we just go plug in.

Did you record in that space because you wanted the same feel as when you play there live?

JT: We’ve only ever played at Vinnie’s. I hope the recordings sound the same as our live show because it is recorded in the same room.

There are parts on the EP that have talking in the background and it feels like it has a live, party vibe.

JT: That’s on the song ‘Ca$ino’. We went down to the Cecil Hotel and had a slap until I got a feature and we recorded the feature on the machine [laughs].

What are you going to call the EP?

JT: We’re still trying to figure it out. Maybe Debt Cult EP 1. Everyone is so busy with full-time work and full-time study. Michelle’s about to be a Sparky [Electrician] and she also works. Lindsay is doing horticulture and working. I’m doing Community Services and working at Vinnie’s when I can. I don’t know what Eli is doing, he’s a bit illusive that fella. Eli is coming over to my place this afternoon and we’re going to make the covers for the EP, we both do collage stuff. The title might end up being one of the track names like ‘Southport’s Sharpest Weapons’.

That was one of your earliest songs?

JT: Yeah. We all live down the street from Vinnie’s. We wrote that song walking to Vinnie’s after a couple of beers.

Write what you know, right?

JT: Yeah. It was kind of taking the piss about gang mentality and street violence, it’s pretty abundant in Southport. We’re a bunch of soft, friendly people singing this song [laughs]. There’s a pretty gnarly homelessness and drug problem in Southport right now. I don’t know what the council is doing about it. I know there’s some free clinics around, but if you don’t want to get help you won’t.

I’ve definitely had friends that have decided to take that route in life and they seem happy with it, but it’s not sustainable, you’ll hit ten years from now and go “what have I done?” To each their own though. What I’m going to do with the community care thing I’m doing is I’m going to go into the drug and alcohol-side of things. I’ve had a lot of friends who have burnt out on it. I definitely had a party over in The States as well, that’s part of why I wanted to come home too, to get out of it. It’s too easy to do it over there, you can get everything so cheap. Over here you can’t go out and get $2 whiskeys.

Alcoholism is the symptom of the problem, it’s not the problem, the problem often has to do with having a low self-esteem. People in the situation of addiction often don’t know that there’s something else there that they need to fix. Especially around punk rock and rock n roll, it’s cool to do drugs and burn out, but it really isn’t because you never get anything done. It’s definitely a trauma response for some people, there can even be multiple traumas you repress and don’t even realise.

How did the song ‘Anna Seedy’s Graveyard Party’ come about?

JT: Lindsay’s alter-ego is Anna Seedy. There’s a story of him being at a party and disappearing and then having his own party in a graveyard. He told me about the story and I decided to write a song. It used to be a longer song but we cut it down, we made it almost like a nursery rhyme. It’s one of our favourites from the EP.

What about ‘IDK Where My Legs Went?’

JT: When we play it live, we play it straight after ‘Southport’s Sharpest…’ and it’s kind of like, you go out on the weekend and you lose your legs! [laughs].

Do you write most of the songs?

JT: Yes, for the EP I did. For the next one Michelle is stepping up. I wrote ‘[Do You Love Me?] Logan Lea’ for Michelle to sing. She’s got some new songs we’re trying to play. I’m trying to get everyone involved. Lindsay has a song we’re going to try to play too. I’m trying to get everyone excited about doing it, because I don’t want to be “the guy”! I don’t want to be the frontman. I want it to feel like everyone’s project, not like they’re just helping me.

Does everyone have different influences that they bring?

JT: Yeah, I just want it to all melt together. Lindsay likes a lot of post-punk. Michelle likes Amyl & the Sniffers and country music. Eli listens to a lot of alternative stuff. We all like the same music but have different styles of playing.

When you started doing Debt Cult did you have an idea of what you wanted it to sound like?

JT: A lot of my bands have been reverbed-drenched and surf-y. With this new project it’s reverbed-drenched and fast with keyboard leads. Sonically I left everyone’s role for them to decide how it sounds, I don’t tell anyone else what to play. Everyone writes their parts and that makes the sound.

What’s one of your favourite aspects of making music?

JT: Seeing the finished product and having something to be proud of. Having something to be involved in with my friends creatively. I love performing! Each show we play we try to do something different. The Dicklord show we played we decided to dress as cowboys and I cut my jeans into arse-less chaps! [laughs]. It was so much fun.

Debt Cult have played five shows, all at Vinnie’s. Can you remember the first show you played?

JT: It was with Headlice. Having Vinnie’s as the homestead is the cherry-on-top to moving back to Australia. It gives us the space to practice and record, it’s everything that I was trying to do over the last four years. I tried to do it in Texas but it was oversaturated there. On the Gold Coast there’s a few good bands but not 400 trying to do it. It feels amazing to be back in Australia doing this. I’m really stoked on the energy.

You also make collage art; when did you start doing that?

JT: I did a design course in Texas but I dropped out.

Why did you drop out?

JT: The gun laws over there are cooked, especially in Texas. There’s mass shootings going on, one happened the day before I had class. I was sitting in algebra and the alarm staring going off and I chucked all my stuff in my backpack and I was halfway out the window. It was the projector turning on or off and the whole class was looking at me like what-the-bloody-hell-is-going-on? I was like, you guys are so desensitised! There’s shootings happening every bloody couple of days, and you think I’m weird for jumping out of a window when an alarm goes off! So, I dropped out of college for fear of getting shot. You can open-carry AR-15’s in Texas. Most of my friends had guns over there. I was against guns when I first got there, but then their government is cooked so maybe people should have guns.

When I was last in Los Angeles, I was walking around with a friend and there were some dodgy people hanging around and my friend was like, “It’s all good. If anything happens, I have a gun in the glove box of my car!” I was like, whoa! What the fuck? I’m from Australia, that idea to me is foreign and weird. It freaked me out that that’s such a normal thing for people.

JT: When I first got there, I was so adamant about no guns! I was having a conversation with someone who was very pro-guns. I stopped having the conversation because you can’t win. I was like, people can be irresponsible with them. A couple of weeks later he got drunk and accidentally blew his friends leg off with a shotgun!

Whoa! That’s intense.

JT: He’s not pro-gun anymore. He thinks they’re bloody dangerous! When I would try to explain to people over there, I’d be like my grandfather is a sugarcane farmer, he has a gun in a safe and the ammunition is separate and he has it because there’s a big bloody carpet python at the creek and he doesn’t want it to come to the house, that’s a reason to have it. For 21-year-old kids to just have a gun in the glove box of their car, it’s pretty cooked.

So, you mentioned you dropped out of college; how did you get to making collage?

JT: I tried to quit smoking cigarettes and I just started cutting up magazines, to keep my mind busy pretty much. I saw a country compilation LP at a thrift store and I really liked the design on the front and thought it would make a good collage. I started piling books up, within minutes I had a bag of books and I knew I was going home to cut them up so I wouldn’t buy a pack of smokes. I still do collage now, but I started smoking again! [laughs]. I really like that medium of art, it’s almost like sampling music. It’s sustainable too.

Photo: Jhonny Russell.

Please check out: DEBT CULT on bandcamp; DC on Facebook; and DC on Instagram.