We’re very excited that Eggy are getting set to release new album Bravo! on November 13 on Spoilsport Records! It’s been on high rotation here at Gimmie HQ since they sent us a sneak peek a few weeks back. We loved their 2019 EP Billy. Bravo! delivers more of the garage-surrealist-pop that we’ve come to love from the free form expressionists yet takes it even further with oodles of lyrical wit, charm and musical experimentation with a water cooler, glass bottles & glockenspiel! Eggy’s debut full-length is a delight. We interviewed keyboardist-bassist-vocalist, Zo Monk to get an insight into the new LP.
What inspired Eggy to first get together?
ZO MONK: Friendship and gags.
Did you initially have an idea for how you wanted to sound? What informed the creation of your surrealist-pop sound?
ZM: It was kind of a running gag at the start that we could never figure out what kind of songs we wanted to make. We weren’t sure what we were going for, but we were going for it haha. I think over time though, we’ve all developed more as songwriters and have a better grasp on how to bring things together. I think the surrealist pop sound just comes from having more confidence in what we’re doing.
What’s one of the best things you do to get your creative juices flowing when you set out to make something?
ZM: Make a big cup of coffee.
You have a new album Bravo! coming out in November; where did the album title come from?
ZM: The title is very sarcastic and I hope people don’t think we’re serious. It conjures such an exaggerated image for me of standing ovations and rose throwing. It makes me laugh with its over the topness. One time I went to the ballet and people actually shouted bravo at the end – it was a big culture shock for a girl from Dandenong. We’re just trying to live our high art form fantasy.
What intention did you have for this record going into it? Was there things you wanted to do differently from last year’s EP Billy?
ZM: When we recorded Billy, we were all so new to recording and didn’t have a great grasp on how to actually make a record. I think with Bravo! we were a bit more confident, and had a better understanding of the process itself. So there was a lot more attention to detail with the ideas, but also just a push out of the comfort zone. Taking a few more creative risks and letting that momentum drive itself.
I’ve heard that the process for writing this album was quite varied, to give us an idea of this variance and your process; could you tell us a bit about the first song that was written and the last most recent one?
ZM: ‘Another Day In Paradise’ is the last song we recorded, which we wrote all together on the last day of recording. It started with a 5 minute piano loop, and then 3 or 4 misc percussion tracks – after that everything was pretty much just done in one take. Big improv energy. HAL 9000 is one of the first songs we ever wrote, and definitely the most senior song on the record. Dom [Moore] had his guitar part and lyrics, and then we all just jammed it in rehearsals. Actually when you remove the context, they don’t sound that different haha. I guess one was being written as it was recorded, and the other jammed out over time.
I understand that on this record you were more interested in and focused on capturing the expression of an idea rather than getting it technically perfect; what were the things that helped you in doing this?
ZM: Trusting your gut. If you hear something and it sparks joy, then roll with it.
There’s also a lot of experimentation on Bravo using things like a glockenspiel to a water cooler; how did the water cooler idea come into play? What other things did you experiment with?
ZM: The water cooler was Fabian’s idea I think! Nothing was sacred anymore. Other things we experimented with were a Space Echo, glass bottles, and sometimes too much caffeine.
Fabian Hunter recorded this album and also added additional guitar and drums; what were some of the best things working with Fabian?
ZM: He was keen to roll with whatever idea we had, always had tea and coffee, has a really cute dog, and would tell us when we weren’t quite hitting the notes haha. He’s a really kind and supportive person to work with, who makes an effort to make sure everyone in the room is comfortable. Do recommend!
What was one of the most fun moments you had while making this record?
ZM: I know it’s tragic to say, but the whole thing. Sue me.
What was the idea behind going with the minimalist, exclamation point album cover design by Ashley Goodall?
ZM: Ash is such a master. When she came up with that exclamation point design we just knew it was the one. I love that it’s all wrapped in itself, but with bold simplicity.
How has not being able to play live over the last few months due to the pandemic and lockdown affected you?
ZM: Playing live isn’t really my favourite part about being in a band or making music, so it hasn’t hit me super bad not being able to play shows. But I reallllllly miss seeing shows, and the community aspect of that. I miss cheering for my friends.
Anything else you’d like to tell us or share with us?
ZM: Gay pride! xoxo